This body of work draws its inspiration from a museum in Antigua, where I encountered an archaeological exhibition that revealed the gradual progression of an excavation over time. The experience prompted a profound reflection on our relationship with the materials we unearth. In the past, we discovered ceramic, organic, and naturally occurring substances that told stories of life and history. However, as I observed the shift in what we find buried beneath the earth's surface, I was struck by the predominance of plastic and man-made waste.
This realization lead me to envision a future where the rich, fertile soil we once relied upon has vanished, leaving behind a stark reality defined by layers of plastic that form artificial landscapes. These landscapes starkly contrast with the vibrant ecosystems we currently inhabit. The thought of plastic becoming the defining feature of our environment raises pressing concerns about the trajectory we are on; if we are not vigilant, plastic could symbolize the chasm between the two worlds we have known; the organic world of our past and the synthetic one we are creating.
To bring this concept to life in my series, I used plastic wrappers and acrylic paint as key materials. The use of plastic not only emphasizes the stark reality of our current waste crisis but also serves as a metaphor for the artificiality that could define our future. By integrating these elements, I aim to provoke a dialogue about the importance of re-evaluating our consumption patterns and the impact of our choices on the environment. Each piece in the series embodies the tension between our past and the potential futures that lie ahead, urging viewers to reflect on the legacy we are creating with the materials we leave behind.
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